The famed burlesque-style revue Broadway Bares will take New York City’s Hammerstein Ballroom by storm for its 29th edition this Sunday. The lucky thousands who will pack the house won’t be feeling at all guilty about shelling out cash for the chance to see some dancing six-packs and Speedo bulges, though—the money benefits a very good cause. That cause is the grant-making nonprofit Broadway Cares/Equity Fights AIDS (BCEFA).
Broadway Bares has raised more than $19 million for BCEFA since the show was born in a Manhattan gay bar in 1992, founded during the height of the AIDS crisis by Tony Award–winning choreographer Jerry Mitchell (Hairspray, Kinky Boots, Pretty Woman). Although in recent years BCEFA has broadened its original focus to include women’s health initiatives, health care aid for the performing arts community, hurricane relief efforts and other worthy causes, it remains centrally dedicated to advocating for those living with HIV/AIDS.
It was the organization’s sheer heart that first attracted dancer Josh Cotham to the splashy show. He will be performing in Broadway Bares for his third time this year. Just a month after he first moved to New York City in 2016, Cotham was brought on as a volunteer to serve a group of Broadway Bares attendees seated in the show’s VIP area.
“I instantly fell in love with the event,” Cotham said. “The next year I applied as a dancer and have done that every year since.”
This time around, the event has been particularly meaningful for Cotham. It marks the start of what he hopes will be a long-lasting friendship with a lawyer named Brian Rice, who contacted him through Instagram last June after coming across his Broadway Bares fundraising page. Rice was HIV positive and, having long struggled to disclose his serostatus to others, was interested in learning about Cotham’s work with BCEFA.
“We got together for coffee so he could hear more about my story, and I could hear more about his,” Cotham said, “and the rest is history.”
Cotham, who is two decades younger than his friend and works in the performing arts, understood that there were both generational and professional differences at play in Rice’s reluctance to be candid with his clients and colleagues about his HIV status. Nevertheless, he encouraged Rice to disclose so that he could be “more open in his day-to-day life and help lift the stigma surrounding the virus.”
“It’s been very special to see how accepting people have been of him sharing his status and all of the positive responses he’s received from that,” Cotham said. “I think it’s helped cause a lot more positive energy in his life overall, so playing even a small part in that has been incredible.”
Rice has certainly repaid Cotham for his support. For the last few months, he and his husband, Jason, have been fundraising fiercely for Cotham’s Broadway Bares kitty—dancers enthusiastically participate in what is cheekily known as the Stripathon—imploring people to donate. The couple has helped Cotham raise “an astounding amount”—over $28,000 as of Friday afternoon, making him the third-highest fundraiser of 2019.
In the run-up to this weekend’s travel-themed show, titled Take Off, in which he is dancing in the number “In-Flight Entertainment,” Cotham reflected on the far-reaching impact of Broadway Bares and, more broadly, BCEFA.
“How crazy,” he mused in a recent Instagram post, “that a one-night event could have such a big impact on someone’s life.”
To donate to Cotham’s Broadway Bares fundraising, click here.
In related POZ articles, check out our rundown of this year’s Broadway Bares show, titled "Ogle the Bare, Record-Breaking Talents of Broadway Beauties," and our 2012 cover story on Broadway Bares and Broadway Cares/Equity Fights AIDS, titled “The Show Must Go On."
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